Preclinics of Dental Prosthetics · MU Sofia

40. Complete metal crown. Fabrication technologies.

Covers the complete metal crown: its gold, base-metal and titanium alloys, when it is indicated or contraindicated, and its advantages and disadvantages. It then walks through the lost-wax fabrication steps, from making the coping with Adapta foil or wax dipping, through wax-up, sprue and investing, burnout and casting, to recovery and finishing. A table compares soldering with laser welding for joining metal parts.

Inside: 4 sections · 1 labelled picture · 3 tables · 14 flashcards · 3 min

Topic 40 of 75 in the MU Sofia syllabus for Preclinics of Dental Prosthetics (Dental Medicine, Year 2). The free AceMed note covers it in 4 sections, about 266 words (3 min of reading), with 14 flashcards.

In this note

  1. Introduction
  2. When to use it
  3. Fabrication: the lost-wax technique
  4. Joining metal parts

Introduction

The complete metal crown covers all surfaces of the clinical crown and is made entirely of metal: classically a gold alloy, today also base-metal alloys (nickel-chromium, cobalt-chromium) or titanium.

Fabrication: the lost-wax technique

1. The coping

Two methods are taught for making the base of the wax pattern:

  • "Adapta" system: two polypropylene foils, a 0.6 mm basic foil with a 0.1 mm spacer foil on top, are heated until transparent and pressed over the die in a silicone container. The spacer is trimmed 2 mm and the basic foil 1 mm short of the finish line; cervical wax fills the margin.
  • Dipping technique: the die, painted with spacer varnish, is dipped into molten wax for 2–3 seconds to form a wax cap.

Overheating the foil gives thin walls; underheating gives thick, distorted copings. Keep 0.5 mm of unprepared tooth visible below the finish line on the die.

2. Wax-up

Axial contours are built level with the cap's occlusal surface, then the occlusal anatomy is added cone by cone (topic 33).

3. Spruing and investing

A sprue is attached to the thickest part of the pattern and the pattern is invested in a casting ring straight away, before the wax relaxes and distorts.

4. Burnout and casting

The ring is heated so the wax melts and burns out, leaving a mould. The alloy is melted quickly (flame or induction) with oxidation kept low, and forced into the mould under pressure: centrifugal, vacuum, air or vapour pressure machines. Enough pressure gives sharp detail.

5. Recovery and finishing

The casting is broken out of the investment, sandblasted, fitted, adjusted and polished (topic 34).

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